![]() Their commitment to replicating and being inspired by this earlier canon of masterpieces led to the labeling of these artists as " the Orthodox school." The Orthodox masters made a point of first imitating these established earlier models and then trying to incorporate these stylistic traditions into their own work. Ī second group of Qing artists included those men who dedicated themselves to the preservation of Chinese traditional culture by returning to the careful study of a canon of earlier masters that had been defined in the 17th century. These artists focused particularly on the expressive potential of painting and sought not to emulate past models so much as to use poetry, painting, and calligraphy in ways that would express their feelings of defiance and loss over the fall of the Ming dynasty. ![]() The Individualists sought to express in their art their own feelings regarding the fall of the Ming dynasty and the conquest of China by a group of people whom they regarded as barbarians. They often removed themselves not only from government circles but also from society, often by becoming Buddhist monks. The Individualists referred to themselves as "leftover subjects of the Ming" and practiced a very personal form of art that sought to express their reaction to the Manchu conquest - either a sense of resistance, reclusion, or sadness over the fall of the Ming dynasty. The first, sometimes called " the Individualists," was a group of men largely made up of loyalists to the fallen Ming dynasty. Hearn, Consultant Schools of Art During the Qing DynastyĪrt during the Qing dynasty was dominated by three major groups of artists.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |